Arqueología de las imágenes técnicas: archivo y memoria en dos proyectos fotográficos de Raúl Stolkiner(res)
Journal Title: Revista Académica Estesis - Year 2019, Vol 1, Issue 7
Abstract
This work analyses the experimental uses of archive in two series of photographs of the artist Raúl Stolkiner (Res). These works sum up a state of the situation of argentine visual and audio-visual thought, both for the time when they were done –1984, the beginning of democracy after eight years of state terrorism, and 1996, the year that marks the introduction of the neo-liberal economy model– and the way of outlining the political dimension of the devices of vision from the inquiry of the epistemologic satute and its relation with historical memory. Considering the strong mark of technical reproduction on art, the question what is an image? turns to be particularly significant if we inscribe it in the scope of ethical decisions that define the position of a culture regardind its own past.
Authors and Affiliations
Yamila Volnovich
Keywords
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- EP ID EP701856
- DOI https://doi.org/10.37127/25393995.52
- Views 105
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