Artiste Anonyme / Anonymous Conceptual Artist / Umjetnik u krizi: Goran Trbuljak’s Names and Namelessness
Journal Title: Annales Universitatis Pedagogicae Cracoviensis. Studia de Arte et Educatione - Year 2018, Vol 0, Issue 264
Abstract
of the status of the figure of the artist and the institution of the exhibition. This article focuses on the centrality of various forms of self-concealment, primarily anonymity and the use of pseudonyms, in Trbuljak’s art. I also discuss what I refer to as the involuntary obfuscation that has come through Trbuljak’s association with conceptual art and institutional critique, labels that have tended to block rather than advance the discussion of his practice. I urge new paths to interpretation through considerations of Trbuljak’s interest in the street, walking, the body, and his insistence on a position liminality, never quite committing himself to one particular role, ideology or space. I refer
Authors and Affiliations
Deirdre Madelaine Smith
Keywords
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- EP ID EP575268
- DOI 10.24917/20813325.13.3
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