Christopher Marlowe’s Modernity in His Poetry, Religion and Drama

Abstract

This paper will treat of Marlowe’s dramatic principles based on religion and poetry. The protagonists of Marlowe’s plays will appear to be slaves of their respective passion. In pursuing their objects of passion all of them have used pompous language, highly decorative and ornamental. It signals complete emptiness of life and language. Then it seems that such heroes are social misfits.

Authors and Affiliations

Satrughna Singh

Keywords

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  • EP ID EP642205
  • DOI -
  • Views 189
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How To Cite

Satrughna Singh (2018). Christopher Marlowe’s Modernity in His Poetry, Religion and Drama. International Journal of Linguistics and Computational Applications, 5(3), 52-55. https://www.europub.co.uk/articles/-A-642205