Concert activity of Sergey Bortekevich in the beginning of the 20th century: historiographical aspect
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 4
Abstract
Purpose of the article is to study the concert and performances of the world-famous composer and pianist Sergei Bortkiewicz, as part of the cultural development processes of the first half of the twentieth century. Methodology. Methodological basis of the research is based on the use of the historicism method, as well as structural and descriptive research methods. Appeal to the first is conditioned by the necessity of evaluating a particular segment of the artist's activity and his historical and cultural comprehension. Also, the appeal to the structural method is because the study takes a holistic understanding of the pianistic component of the creative portrait of Sergei Bortkiewicz. Thus, the descrip- tive method is used by us as an auxiliary method in the analysis of concerts by the composer. The scientific novelty of the study is to study the concert performance of Sergei Bortkiewicz as a pianist. For the first time within the framework of the national and world battles, a wider scholarship was applied to European periodicals of the first half of the twentieth century to study the concert activity of the artist, as well as the place occupied by his creative activity in the European cultural space of that time. Conclusions. The analysis of archival historical materials of the early twentieth century showed that the artist occupied a stable position in the European musical culture of the specified period. Despite the con- troversial reception of his contemporaries, he continued the concert activity as a propagator of the own works. Consider- ing the above, we assert that the performer's and composer's activities of the artist are inalienable complementary parts of his creative individuality, which makes it impossible to further study the artistic heritage of Sergei Bortkiewicz without taking into account the concert and performance of the artist.
Authors and Affiliations
Yevhen Levkulych
Keywords
Related Articles
- EP ID EP669459
- DOI -
- Views 108
- Downloads 0
Artistic features of symbolism of ukrainian art and iconography
The article is devoted to the artistic features of the symbolism of Ukrainian art and iconography. The author explores the evolution of the most prominent symbols of art iconography of Ukraine. The author concludes that...
REVIEW on the monograph by O. V. Muravskaya "Eastern Christian paradigm of European culture and music of the XVIII-XX centuries"
Аналізуючи специфіку співвідношення християнського Сходу та Заходу в культурно-історичних реаліях сучасності, архимандрит Рафаіл (Карелін) відзначив: "Західна цивілізація – це нібито широка хвиля світла, але світла розсі...
Attitudinal culture of the Person in terms of modern transformation society
The purpose of the article is to examine the changing specific of personal attitude in transformation society terms. Pay attention on the trend of evolution person’s attitude under the influence of social transformations...
EVOLUTION OF MUSICAL FOLKLORE IN THE TERRITORY OF UKRAINE IN THE IV MILLENNIUM BC – MID. I MILLENNIUM AD.
The purpose of the article is to study the process of musical folklore evolution in the territory of Ukraine in the IV millennium BC – mid. I millennium AD. Methodology of research. The theoretical basis of our research...
METHODOLOGICAL ASPECTS OF COMPREHENSION OF HUMAN BEING IN THE CULTUROLOGICAL SCIENTIFIC PARADIGM
The purpose of the work is to substantiate the methodological possibilities of cultural studies as post-non- classical knowledge in the study of anthropological problems, as well as to identify methodological approaches...