Contemporary Alternative Indian Cinema: Towards a New Film Language

Abstract

Contemporary cinema in India since the late 2000s spanning across several languages has found to occupy a new space of ‘indie’ or ‘independent’ in international film festival parlance and domestic circles of festivals, journalists and filmmakers themselves. Moving away from fixed genres and conventions of big-budget commercial cinema in the country, several filmmakers and production houses are either self-funding or producing films through collaboration with Indian or international funding. This paper looks at this trajectory in Indian cinema through the narratives and filming choices of the filmmakers through two case studies – the Punjabi language film called Alms for the Blind Horse (2011) and the Hindi language film Autumn (2010). Through these case studies, I employ textual analysis and interviews to argue that a certain legacy of the New Wave period of cinema in India during the late 60s to80s is visible in the contemporary moment and filmmakers are exploring new ways to communicate local stories to the audiences nationally and internationally.

Authors and Affiliations

HARMANPREET KAUR

Keywords

Related Articles

The Corporate’s Social Responsibility and Green Initiatives: A Case Study of the Selected Public and Private Power Supply Companies in Rajasthan

In almost all the countries the governments have passed various laws making it mandatory for industries small or big to contribute towards the protection of environment by reducing pollution level, be it, air, water and...

Cultural Adaptation of Acehnese and Etnic Chinesee in Banda Aceh from Intercultural Communication Perspective

As a special region called the Veranda of Mecca, Aceh is a unique province and it differs from others in Indonesia, for the implementation of Islamic law in the region. In fact, there are many ethnic groups, who live in...

Animated Documentary: A Dramatic Art of Documentary Storytelling

Animation, unlike live-action, offers much more flexibility to tell a story through enhanced visual as well as aesthetic demonstrations. Besides, the medium can operate in a factual context to represent and document actu...

The Audience View & Media in Assam

Mass media are the primary provider of information that reaches wide audiences. News and information from mass media are considered stimuli that solicit responses from the public. Mass media have become a critical part o...

Technology’s Role in Commodification of Not-for-Profit Media

This study explores the role of technology in providing an extended public sphere of participatory democratic discourse. By examining the case of ‘the wire.in,’ an Internet-based journalism, the study analyses how techno...

Download PDF file
  • EP ID EP605607
  • DOI 10.24247/ijcmsjun201910
  • Views 104
  • Downloads 0

How To Cite

HARMANPREET KAUR (2019). Contemporary Alternative Indian Cinema: Towards a New Film Language. International Journal of Communication and Media Studies (IJCMS), 9(3), 91-100. https://www.europub.co.uk/articles/-A-605607