De la experiencia musical como afirmación, un paradigma de estética: diecisiete apostillas aforísticas sobre la Música Absoluta
Journal Title: Revista Académica Estesis - Year 2024, Vol 1, Issue 16
Abstract
This essay questions various theories of musical understanding, from idealistic approaches to the imposition of linguistics on music. Through seventeen aphoristic commentaries, the text explores music's relationship to language, the musical absolute, opera, and expression in music. The notion of the musical absolute is discussed in relation to vocal, instrumental and programmatic music. Perspectives from Stravinsky, Mozart, Kant, Nietzsche and Lévi-Strauss are considered. Music is presented as meta-lexical and not directly expressive of human ideas, so that musical aesthetics is reversed, emphasizing music's capacity for self-expression without the need for words. Finally, the autonomy of music is defended and its adaptation to the modes of contemporary life is questioned.
Authors and Affiliations
Francisco Aranda Espinosa
Keywords
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- EP ID EP769956
- DOI https://doi.org/10.37127/25393995.200
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