Family Resemblance: Frankenstein’s Monster and the Phantom of the Opera in Penny Dreadful (2014-2016)

Journal Title: Lublin Studies in Modern Languages and Literature - Year 2019, Vol 43, Issue 2

Abstract

The Creature of Frankenstein never managed to fulfil his desire of finding a loving partner in Mary Shelley’s novel, but his symbolic progeny continues to haunt modern popular culture. The article discusses the case of “family resemblance” between Frankenstein’s Creature and the title antihero of Gaston Leroux’s The Phantom of the Opera. In their respective literary sources, they share an inborn deformity, an appreciation for music, a romantic yearning for love and acceptance matched with sociopathic violence. Recently, the TV series Penny Dreadful elaborates on these allusions, conflating the narratives by Shelley and Leroux, as well as their later adaptations.

Authors and Affiliations

Dorota Babilas

Keywords

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  • EP ID EP610231
  • DOI 10.17951/lsmll.2019.43.2.135-143
  • Views 58
  • Downloads 0

How To Cite

Dorota Babilas (2019). Family Resemblance: Frankenstein’s Monster and the Phantom of the Opera in Penny Dreadful (2014-2016). Lublin Studies in Modern Languages and Literature, 43(2), 135-143. https://www.europub.co.uk/articles/-A-610231