HAYÂLÎ BEY’S GHAZALS WORD THE ART BASED ON HARMONY BASIC COMPONENTS
Journal Title: ULUSLARARASI AFRO-AVRASYA ARAŞTIRMALARI DERGİSİ - Year 2018, Vol 3, Issue 5
Abstract
Harmony in Dîvân poetry is a very important concept. In order to be able to say harmonious words, poets have resorted to the arts and mazmuns –special words use in dîvân’s poetry- besides the formal elements which provide rhythmic fluids such as rhyme, redif and vein to a great extent. For this reason, what is important for poets who have such an understanding of art is not what is said but the way of saying it. The Dîvân poets who made up their works in this direction succeeded in making this harmonious air in only one coupler of the gazelles. Poetry in Dîvân literature continues its existence with music. Given the fact that classical Turkish music is based on a great deal of sense, it is better to understand the dimensions of the connection between poetry and music. The poets have used the art of speech with great mastery and have made intensive efforts to speak harmoniously. In addition to this, they frequently applied to the arts to provide connections between the couplets and strengthen the meaning throughout the bazaar. The main opposition emerges as the main elements which provide harmony based on the arts of cinas, izişakak, soubak, kalb, reddü'l 'acz and tekrir. In this study, we will examine the gazelles in the Dîvân of Hayâlî Bey, one of the most important poets of the 16th century, in terms of the harmonies made on the basis of the vocabulary and make an assessment from us. In our work we have taken as a reference the work named "Hayâlî Bey Dîvânı" which was prepared and published in 1992 by Akçağ publications of Ali Nihat Tarlan.
Authors and Affiliations
Mehmet Şenyurt
Keywords
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