Heliodor – Rubinkowski – Twardowski. Trzy „romanse” wobec ciała i seksualności
Journal Title: Śląskie Studia Polonistyczne - Year 2011, Vol 1, Issue 1
Abstract
The author suspiciously analyses the work by Paweł Bohuszewicz on the Polish Baroque romance. She brings the narratological method closer, yet presents a series of doubts and objections against the means of using „fashionable” contemporary humanist works in the work in question. References to Baudrillard’s conception seem unconvincing. Equally unsuccessful was the usage of Foucault’s knowledge about body in Baroque works since their main qualities are more accurately defined by the context of Ignatian or Teresian corporality. One should also question the genological findings achieved by Bohuszewicz, whose conception of literary genres is a combination of old arrangements with too modern ideas, as a result of which still binding conceptions by Opacki and others were not taken into consideration. L’auteur soumet à une analyse critique la dissertation de Paweł Bohuszewicz sur le roman baroque polonais. Elle présente la méthode narratologique de l’auteur et pointe de nombreux doutes concernant l’emploi des oeuvres « en vogue » des sciences humaines dans la dissertation. Les évocations de la conception de Baudrillard, l’application du savoir de Foucault sur le corps dans les écrits baroques sont peu concluant, surtout que leurs propriétés essentielles sont expliquées mieux par le contexte du corps ignatien ou théresien. Il faut également jeter le doute sur les résultats génologiques de Bohuszewicz, dont la conception des genres littéraires est un amalgame des théories anciennes et des idées trop modernes ; par conséquent la pensée, toujours actuelle, d’Ireneusz Opacki et d’autres chercheurs y manque.
Authors and Affiliations
Iwona Słomak
Keywords
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