Les femmes diaboliques de Barbey d’Aurevilly – esquisse du portrait physique et moral
Journal Title: Lublin Studies in Modern Languages and Literature - Year 2014, Vol 38, Issue 38
Abstract
The works of Barbey d’Aurevilly, evoking a devastating power incarnated in the female characters, plunge a reader in a world that is immoral and even sadistic. Thanks to the most subtle colours, the great artist creates a sequence of dark portraits representing both beautiful and devilish heroines; heroines with many faces who are frigid and dominant, invulnerable and revengeful. In d’Aurevilly’s works the females are depicted as both enchantresses full of Machiavellian cleverness and cynical and extremely intelligent plotters. They are true queens of Evil; proud and powerful they always have the last word.
Authors and Affiliations
Ewelina Mitera
Linguistic creativity in American prison settings
Prison facilities are special: they are complexes defined by a variety of parameters, whose understanding for an ordinary person is far from perfect. It may be observed that two main cultures clash in prisons: that of ja...
Word association patterns in a second/foreign language – what do they tell us about the L2 mental lexicon?
The aim of the article is to review the findings of research into patterns of word associations in both first and second language and discuss its relevance for the understanding of L2 lexical processes. Word association...
The /r/ sound in language – Introduction to the Special Issue
brak
On connaît la musique. La vie culturelle au temps du siège de Leningrad dans La Vie d’un homme inconnu d’Andreï Makine
The present article focuses on the representation of the cultural life during the siege of Leningrad (1941-1944) in Andreï Makine’s eleventh novel. Analysing the portrait of the blockade created by La Vie d’un homme inco...
The Fertility of the Supernatural: Stuart Neville’s The Ghosts of Belfast
In The Ghosts of Belfast (2009), spectres of the victims of civil war in Northern Ireland haunt Gerry Fegan, a former “soldier” and assassin. Picking up the metaphorical cue from the epigraph to Neville’s novel – “the pl...