Miasta, manekiny i maszyny metafizyczne
Journal Title: Schulz/Forum - Year 2015, Vol 5, Issue 5
Abstract
The French critic reveals a whole extensive network of affinities which connect Schulz’s oneiric fiction with that of Alfred Kubin, E.T.A. Hoffmann, Max Blecher, and – perhaps not surprisingly – Franz Kafka. Selecting from the world of Schulz three specific motifs: the city, the mannequin, and the metaphysical machine, he demonstrates that the writer from Drogobych joined, for the most part unawares, the mainstream of European modernism both in its literary and artistic varieties, including the self-reflexive art of Marcel Duchamp.
Authors and Affiliations
Serge Fauchereau
„Jakiś psychiatra w Nowym Jorku”
In Strzępy wspomnień. Przyczynek do biografii zewnętrznej Brunona Schulza, Regina Silberner writes that the Polish-Jewish fiction writer Bruno Schulz exchanged correspondence with some psychiatrist from New York. The pap...
Schulz dadaistą? Parodystyczna krytyka kultury europejskiej w opowiadaniu Brunona Schulza „Dodo”
The essay is an interpretation of a story from The Sanatorium under the Sign of an Hourglass. Its most important frame of reference is the history of European culture, since apparently Schulz parodied in his text two key...
À la manière de… Bruno Schulz
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Samouspokojenie
The text written as a result of applying the S+7 method to the name of Bruno Schulz. The method consists in replacing every noun in an already existing text by another noun listed seven entries below in a selected dictio...
Antyportret w wersji literackiej
In The Cinnamon Shops reader can find both echoes of the classic images of faces, referring to the tradition of physiognomy and tradition of portrait painting, as well as images of faces belonging to the species of antip...