MYSTERIOUS WAY OF KING LEAR IN RONALD HARWOOD’S NEOFABULISTIC REPRESENTATION: OUTLINING ENGLISH (POST)POSTOMODERNISM
Journal Title: Записки з романо-германської філології - Year 2019, Vol 1, Issue
Abstract
In the paper, the author has provided the hermeneutical analysis of the play “The Dresser” (1980) by English playwright Ronald Harwood. It has been investigated that in this literary work, the writing of which was finalized in postmodernism, there are philosophical features of postpostmodernism. The role of Shakespearean intertext in the play has been outlined. A number of provisions on the features of post-postmodernism in English literature of 1980s has been clarified, as well as features of connection between postmodernism and neo-fabulism as one of the directions of post-postmodern literature. In the aspect of the development of B. Shalahinov’s literary approaches regarding the specificity of the interaction of two metaforms of world culture – carnival and mystery – in the play “The Dresser” has been spotlighted. The representation of existentialistic features in the outlook of the main actor (Sir) in the play, as well as King Lear, played by Sir, has been revealed. It is emphasized the explication of Shakespearean masks system as intertextual manifestations in order to counter the absurd reality and lift above it. The features of the humanistic worldview in the outlook of the main actors of the play have been described.
Authors and Affiliations
D. Drozdovskyi
PRINCIPLES OF FORMATION OF THE NEW ENGLISH-LANGUAGE VOCABULARY OF THE SOCIAL AND EDUCATIONAL SPHERE
The article deals with the questions about the study and systematization of terminology vocabulary of socio-pedagogical orientation. The features of the professional vocabulary of social teacher are described. The conclu...
MIMESIS OF THE EPHEMERAL IN VIRGINIA WOOLF’S LITERARY DISCOURSE
This paper addresses the issue of mimesis in its specificity acquired in Virginia Woolf’s short fiction, as a literary manifestation of the ephemeral in its three dimensions − pseudoreal, virtually fanciful as well as ma...
INTERACTION OF GRAMMAR TENSE AND ARTISTIC TIME IN THE WORKS OF FICTION
Some cases of functioning of grammatical groups (Simple, Continuous, Perfect, Perfect Continuous) and tenses (Present, Past, Future) in the text of fiction (on the basis of O. Henry’s works) are investigated in the artic...
THE NATURE OF DIPHTHONGS AND THEIR DEVELOPMENT IN HISTORICAL PROCESS
In the modern phonetic and phonology of Standard German the term «diphthong» is understood as a gliding sound that consists of two vowels pronounced in one syllable. In German there are 3 falling (descending) diphthongs...
PROSODIC PECULIARITIES OF IRISH SPEECH IN THE BILINGUAL SITUATION
The investigation is dedicated to the analysis of prosodic peculiarities of Irish speech. The bilingual situation in which influence of the British English as well as general tendencies of the development common for nati...