Non-modern modernity? Neomodern architecture
Journal Title: Art Inquiry. Recherches sur les arts - Year 2016, Vol 0, Issue
Abstract
Neo-modernism, as both a philosophical and an architectural current, evolved as a critical response to postmodernism, the movement described by Agnes Heller as “neither conservative, nor revolutionary, nor progressive”. At the same time, neo-modernism adopted some post-modernist assumptions, resulting from the criticism of the modernist movement. Rem Koolhaas emphasized that although contemporary architecture is clearly inspired by modernist aesthetics, it has little in common with the two major attributes of the modern movement – opposition towards context and towards history. Thus, neo-modernism can be described as “unmodern modernity”. According to Jürgen Habermas, being modern is closely related to being free of external axioms. Neo-modernism appears rather to be another form of eclecticism or “a strategy without an aim”, than a new modern movement.
Authors and Affiliations
Błażej Ciarkowski
Keywords
Related Articles
- EP ID EP182180
- DOI -
- Views 159
- Downloads 0
Adorno and practically useless art, or autonomy instead of avant-garde
Adorno’s aesthetic theory allows us to treat him as an anti-theorist of the avant-garde. We can find in his work many accurate observations grasping the essence of the changes that were introduced by this artistic format...
Designing utopia. Avant-garde architecture vs. processes of modernization
In the first half of the 20th century, the relations between the social revolution, the processes of modernization, and avant-garde art and architecture were very close. Piotr Juszkiewicz, analyzing the relations between...
Metaphysics in the shackles of asteiology
Will the dog crush heron’s leg, or will the heron pluck out the dog’s eyes? – an array of possible decodings of this animalistic drama appears in the logical-ontological space of the image. However, an image does not par...
Art on the brink, ergo the margin of life: Marek Chlanda’s The Tango of Death
Marek Chlanda’s sketch Cosmos – Tango of Death was created as a picture of the artist’s yearning for sense. This sketch and the triptych are based on the photo from 1942 taken at the extermination camp in Janowska Street...
Polish Files in the Lomholt Archive of Mail Art
This text is devoted to the archives of mail art complied by the artists and the participants of the mail art network. Mail art was one the most representative artistic phenomena of the 1970s along with feminist art, per...