On the Symbolism of Thomas Mann
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 3
Abstract
The essay discusses Thomas Mann’s symbolism and its parameters as well as Mann’s interpretation of the crisis of European spiritual values. Тhe author examines the role of Nietzsche in Mann’s heritage as well as interconnections between Mann and Wilde, Mann and Gide. Buddenbrooks is interpreted as a novel about the end of the German Renaissance; duality of the modern artist is shown on the example of “Tonio Kröger” while the paradoxes of his eroticism are analyzed on the example of “Der Tod in Venedig.”
Authors and Affiliations
V. M. Tolmatchoff
Keywords
Related Articles
- EP ID EP26167
- DOI 10.22455/2500-4247-2017-2-3-118-137
- Views 427
- Downloads 17
Postmodernist Techniques and Grown-Up Themes in the Juvenile Novel Learning to Scream (2009) by Beate T. Hanike
The novel Learning to Scream (Rotkäppchen muss weinen, 2009) by Beate Teresa Hanika is addressed to the adolescent reader. This is a novel about growing up, a novelinitiation which main character challenges life circums...
Racine and Mandelstam
This article is a fragment of the PhD thesis Philosophical and Aesthetic Principles of Tragedy in Calderon and Racine (Department of the History of Foreign Literature, Moscow State University, 1988). In her dissertation...
Mark Twain in the Russian Pre-Revolutionary Periodical. Part 2
This article deals with the analysis of interpretation of the works by Mark Twain, famous American author, in the Russian pre-revolutionary periodical press (1872–1916). The objects of research are critical articles, es...
BIOGRAPHY GENRE IN RUSSIAN LITERATURE: EUROPEAN AND BRITISH INFLUENCES
The article examines the development of the genre of biography and life writing that influenced Russian biographical tradition. This tradition stems from Plutarch’s Comparative Biographies that influenced English life wr...
FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIRSK: “SVIN’IN AND SONS,” 2016. 352 р.)
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s...