“PANTOMIMIC CULTURE” AND INTERDISCIPLINARY ASPECTS OF ITS THEORETICAL UNDERSTANDING
Journal Title: Культура і мистецтво у сучасному світі - Year 2019, Vol 0, Issue 20
Abstract
The aim of the article is to identify the essence of the concept of “pantomimic culture”<br />based on the analysis of the concepts of “culture” and “pantomime”.<br />Research methods. The main methodological principles of the research are scientific<br />objectivity and systematic approaches in the use of complementary methods: theoretical<br />(analysis of cultural, art history and historical literature), empirical and analytical (theoretical<br />and art historical analysis of the phenomenon of “pantomime”). General culturological<br />research methods, historical and analytical methods, epistemological principles of cognition<br />of the essence of the concept of “pantomimic culture” were also used. Scientific novelty.<br />Mutual integration of the development and transformation of the concepts of “culture” and<br />“pantomime” has been analyzed in the context of the social and cultural space evolution.<br />The conceptual and categorical apparatus of the research has been defined, in particular,<br />the definition of the concept of “pantomimic culture” has been proposed. Conclusions.<br />The social and communicative significance of pantomime as a cultural phenomenon is<br />difficult to overestimate, since the pantomime act can be interpreted as an interpretation of<br />national or cosmopolitan culture codes, a social and cultural message, an eloquent action<br />of self-expression, a form of intercultural communication, etc. The pantomime culture is<br />positioned as an interdisciplinary concept, the essential basis of which is the triad: man –<br />culture – gesture that allowed us to define it as a cultural and anthropological concept; the<br />universal language of culture that is characterized by a special sign system and uses various<br />artistic signs (icons, indicators and symbols), endowed with certain properties; a unique<br />means of creative embodiment of emotional collisions between the man, art and society<br />under the conditions of modern stage space.
Authors and Affiliations
Bohdan Svarnyk
Keywords
Related Articles
- EP ID EP627680
- DOI 10.31866/2410-1915.20.2019.172467
- Views 47
- Downloads 0
ГАРМОНІЯ В СУЧАСНІЙ ХОРЕОГРАФІЇ
<strong>Мета дослідження</strong> – визначити формотворчі тенденції еволюції хореографії (домінанти експресивних видів мистецтв) як фактор гармонізації глобалізаційних проблем сучасності. <strong>Методи дослідження. </st...
ІНСТИТУТ ГОСТИННОСТІ В УМОВАХ ГЛОБАЛІЗАЦІЙНИХ ПРОЦЕСІВ
<strong>Мета роботи. </strong>Проаналізувати основні чинники та критерії інституту гостинності в умовах глобалізаційних процесів, які, безпосередньо, мають вплив на соціокультурне життя суспільства. <strong>Методи дослід...
КОНЦЕРТНО-МУЗИЧНЕ ЖИТТЯ ВІННИЦІ ПЕРШОЇ ТРЕТИНИ ХХ СТОЛІТТЯ
<strong>Мета роботи. </strong>У статті досліджено специфіку концертного життя міста Вінниці початку ХХ ст. Визначено роль хорових колективів, оркестрів та окремих виконавців у процесі становлення професійного музичного м...
DESIGN THINKING TRANSFORMATION ON THE PLATFORM OF DIGITAL PROJECT CULTURE UNDER THE INFLUENCE OF INDUSTRIALIZATION
The purpose of the study is to determine the relationship between design-thinking and<br />traditional design creativity with the analysis of design thinking evolution in the discourse<br />of project culture under the i...
LEGAL PROTECTION OF TV PROGRAMS AND SHOWS AS THE OBJECTS OF INTELLECTUAL PROPERTY RIGHTS
The aim of the study. The article analyses the issues of legal protection of TV programs<br />and shows as objects of intellectual property rights, and specifies the peculiarities of legal<br />regulation of these object...