Rahel Vaenhagen and the Culture of Her Time

Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 4

Abstract

This essay examines the personality of Rahel Varnhagen, one of the brightest representatives of the German cultural milieu, owner of a literary salon that brought together prominent authors, artists, philosophers, nobles, and the crème of burgher society in the period between the end of the 18th Century and the 1830s. Rahel stood out among other female owners of literary salons, due to her deep knowledge of contemporary aesthetic trends, their specificity and perspectives, and in this respect, she was a perfect equal to male intellectuals of the time. Her contacts spread beyond the salon as she corresponded with a great number of people both within and outside the country. Rahel’s letters, collected by Varnhagen von Ense, and her diaries reveal outstanding literary gifts. On the example of Rahel’s world and her environment, this article examines the transient decades of European life that signaled the shift in the cultural sensibility as well as the debunking of the Enlightenment social, philosophic, and aesthetic concepts by the generations of Romantics. The diversity of personalities that evoked Rahel’s interest shows the ambiguity of public opinions and tastes reflected in literature. The atmosphere of her salon helps us better understand individual literary figures that either represented certain aesthetic trends or combined the traits of different trends in their work.

Authors and Affiliations

Julietta L. Chavchanidze

Keywords

Related Articles

DISCUSSION ON THE TYPES OF LITERARY TRANSLATION IN THE SOVIET TRANSLATION STUDIES

The article discusses the theory and history of literary translation in the Soviet Union, namely, the dispute between Moscow and St. Petersburg schools of translation. The main focus is on the chapter from an unfinishe...

Diderot as the critique of art and the translation of time and place: from the pictural composition to the literary decomposition / recomposition

In his reflections on painting, Diderot as a theoretician of fine arts explains that the painter must respect the unity of time and place for the paintings to be thematically and aesthetically solid. However, the uniti...

THE OCTOBER GARBO: CLASSICAL HOLLYWOOD AND THE REVOLUTION

I propose to discuss Ernst Lubitsch’s decision to tailor Ninotchka (1939), his film with Greta Garbo, to Garbo in the role of a Soviet revolutionary, which — given the overwhelming importance of Garbo to classical Holly...

Illustrations in Biographical Studies: Sharing Experience of Preparing The Chronicle of Life and Work of Sergey Esenin

The article discusses the function of illustrations in biographical studies. In particular, it examines a section “Appendix” in the 5-volume Chronicle of Life and Work of Sergey Esenin that includes documentary and visua...

THE PROBLEM OF HUMANISM IN M. GORKY’S ESSAY “A. A. BLOK”

The article examines one of the most important problems of Gorky’s work — a problem of humanism. It relates the history of creation of Gorky’s essay “A. A. Blok” (1923) to the author’s reflections about deformation of t...

Download PDF file
  • EP ID EP26186
  • DOI 10.22455/2500-4247-2017-2-4-82-113
  • Views 270
  • Downloads 16

How To Cite

Julietta L. Chavchanidze (2017). Rahel Vaenhagen and the Culture of Her Time. Studia Litterarum, 2(4), -. https://www.europub.co.uk/articles/-A-26186