Self-reflection and morality in critical games. Who is to be blamed for war?
Journal Title: Journal of Comparative Research in Anthropology and Sociology - Year 2015, Vol 6, Issue 1
Abstract
‘This war of mine’ is a critical game depicting the war experience from a civilian’s perspective. As a game, it relies on its interactivity in order to offer the player an immersive experience. As a critical game, it challenges design conventions while also encouraging self-reflection. ‘This war of mine’ proposes interpretations of both real life and play in an ethical and realistic manner. We show the means it employs as a medium for sending a message: its content, rhetoric, presentation, as well as the debates that it stirs. Thus, as games are played in a cloud of comments and reviews, we also explore the collaborative process of moral learning in ‘This war of mine’ and we discuss the game’s efficiency as a medium in delivering an ethical gameplay experience.
Authors and Affiliations
Elisabeta Toma
Keywords
Related Articles
- EP ID EP41032
- DOI -
- Views 254
- Downloads 0
Making sense of gender from digital game play in three-year-old children’s everyday lives: An ethnographic case study
This study explores very young children performing and talking about game characters in their everyday life. In this study, young children’s digital game play is considered as a hybrid and complex site for the children...
Ordinary stories, dreams, miracles and social interactions
Storytelling and vernacular religion are complementary on multiple levels in the example of Lipsi (southeast Aegean, Greece), where the use of common symbols proves to be more durable than practices, even when the fram...
Fat, fire and fluids: a research note on the objects in the everyday life of a beauty salon
This research note brings together two “lost and found” items in social theory: “the body” and the “the object”. The goal is to explain how body objectification is being produced in the hybrid social space of a beauty...
Get real: Narrative and gameplay in The Last of Us
This essay addresses problems of ludonarrative dissonance in the 2013 video game The Last of Us. Much of the game’s production is well executed and very realistic, both in terms of graphics and storytelling; however, a...
More than addiction: Examining the role of anonymity, endless narrative, and socialization in prolonged gaming and instant messaging practices
This ethnographic study explores a user’s prolonged engagement within virtual gaming communities. Likening prolonged engagement with addiction, this research provides an alternative perspective into virtual addiction f...