Silla Art and the Silk Road

Journal Title: International Journal of Korean History - Year 2014, Vol 19, Issue 1

Abstract

Western and Indian features found in Silla art, whether they came from the Western border regions of China or through a connection with China, it is recognized that there was both a direct and indirect a relationship between Silla, the West, and India. Many scholars have been interested in these aspects, conducting various studies as these factors played a large part in defining the origin of ancient culture and the process of harmonization between cultures. Through the Silk Road scholars are able to identify how Western cultures and civilizations were introduced to the Silla Dynasty. As the Korean peninsula has been a nexus for exchange between the East and the West, this paper aims to understand the meaning of the “Silk Road” and examines the actual state of cultural exchange at this historical site. Through artifacts excavated from Hwangnamdae-ch’ong (especially glass products), it has been determined that the Western and Western bordering countries of China culturally influenced the art of Silla. They also clearly prove that Buddhist sculptures from India and the Western bordering countries of China had a great impact on Silla art as well. Through these findings, it can be confirmed that from ancient times the influence of many cultures including China, the West, and the Western bordering countries of China had an impact on Korean culture. Particularly, Indian Buddhism which flowed into China and the Korea peninsula participated in the development of Silla culture and also played a significant role in the formation of traditional Korean culture.

Authors and Affiliations

Kwangshik Choe

Keywords

Related Articles

Ssangsŏng Ch’onggwanbu as the Border between Koryŏ and Yuan Dynasty

According to the annotations of Sanguo zhizhu (三國志注) written by Pei Songzhi (372-451), there were exchanges between Kogury? and Sun-Wu through a sea route, a record originally from Wushu that cannot be seen in other...

King Muryŏng’s Ascension to the Throne

King Muryŏng was able to use the opportunity - the assassination of King Tongsŏng - to ascend to the throne of Paekje at the age of 40. While Muryŏng was the rightful heir to the throne from birth, the process through...

A New Challenge to the Study of the Political History of Chosŏn-Prof. Haboush's 『A Heritage of Kings: One Man's Monarchy in the Confucian World

After having completed her graduate studies at Columbia University (PhD in Korean and Chinese History) in 1978 and serving as a researcher at the University of Illinois, Professor JaHyun Kim Haboush joined Professor G...

Colonial Modernity and Rural Markets during the Japanese Colonial Period

Recent studies on Korean history during the Japanese colonial period have in general focused on ‘colonial modernity’ as their main theme. They have sought to analyze the characteristics of the modernity which Korea exper...

The Portrayal of Korea: A Critical Analysis of Korean History in American Secondary Schools

This paper attempts to review Korean history as depicted in world history textbooks for American secondary schools. Since Korean history presented within these textbooks will have a great influence on how students percei...

Download PDF file
  • EP ID EP26397
  • DOI https://doi.org/10.22372/ijkh.2014.19.1.1
  • Views 373
  • Downloads 10

How To Cite

Kwangshik Choe (2014). Silla Art and the Silk Road. International Journal of Korean History, 19(1), -. https://www.europub.co.uk/articles/-A-26397