SZTUKA JAKO SPEKTAKL. ROZWAŻANIA NAD KOMUNIKATEM MEDIALNYM

Journal Title: DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu - Year 2017, Vol 23, Issue 23

Abstract

The progressing process of reality virtualization does have impact on social transformation of the globalized tele-IT society, as well as on artistic practice which, therefore, has significant impact on transformations and the new way of describing culture. According to modern media theories, which are difficult not to agree with, the culture of the twenty-first century should be defined in the perspective of universality of such phenomena as globalization, cultural pluralism and nomadism, originating in permanently and irrevocably crossed borders of the communication model: from reproduction to simulation of reality, thus resulting in a structure of a surveillance society, a society of performance and virtual union. The latter aspect, namely emerging of an audio-visual culture that, determined by social interactions, is revealed mainly in a form of a performance, is a fundamental benchmark, and that results from the fact of anachronism of the metaphor of culture as a text which became an equivalent of “ideological text”. Visual culture in a tele-IT world became a culture shaped by visual media what, in consequence, reversed the permanent point of reference in the relation subject-object (thing, phenomenon, human, relations and interpersonal interaction), as experience more and more often embraces images of the world (television and the Internet), not the reality itself. It is obvious that those images of the world, as a subject of intellectual–emotional consumption, more and more often, less to say that commonly, as an assumption, are not subject to judgements based and positively characterized by the truth-false criterion. Their visual and persuasive strength, being a derivative of spectacularity and aesthetics of the presented event, depends on attractiveness of so called „produced text” which, substituting reality, becomes a new social environment – virtual reality

Authors and Affiliations

Agata Szuba Szuba

Keywords

Related Articles

INTERMEDIA A ZWROT KINEMATOGRAFICZNY Druga Ogólnopolska Konferencja towarzysząca Konkursowi Najlepszych Dyplomów Sztuki Mediów – WRO 2017

Druga Ogólnopolska Konferencja towarzysząca Konkursowi Najlepszych Dyplomów Sztuki Mediów – WRO 2017

Film dokumentalny w badaniach nad globalizacją

Adam Nobis A documentary in the study of globalization Based on the analysis of four documentary movies, I show cognitive capabilities of the documentaries in the context of the discussion and research on globalization....

MALARZ W ARTYSTYCZNYCH ZMAGANIACH Z TRADYCJĄ Harolda Blooma koncepcja lęku przed wpływem

Manfred Bator PAINTER IN ARTISTIC STRUGGLE WITH TRADITION The Concept of Anxiety as Influenced by Harold Bloom In a letter to another poet, Wallace Stevens, American poet and essayist, wrote: [...] I consciously resigned...

Początki sztuki abstrakcyjnej w Polsce na przykładzie twórczości ekspresjonistów poznańskich związanych z czasopismem „Zdrój” (1917–1922)

Prof. S. Kubicki (living in Berlin), the son of Margarete and Stanisław Kubicki, Polish-German artists, will donate in 2015 to the National Museum in Poznań and the National Museum in Wroclaw about a hundred of drawings...

Download PDF file
  • EP ID EP331641
  • DOI -
  • Views 99
  • Downloads 0

How To Cite

Agata Szuba Szuba (2017). SZTUKA JAKO SPEKTAKL. ROZWAŻANIA NAD KOMUNIKATEM MEDIALNYM. DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu, 23(23), 46-69. https://www.europub.co.uk/articles/-A-331641