THE CONCEPT OF CULTURAL AND CREATIVE INDUSTRIES IN THE EUROPEAN ACADEMIC FIELD AND POLICIES OF THE EU AND GREAT BRITAIN
Journal Title: УКРАЇНСЬКІ КУЛЬТУРОЛОГІЧНІ СТУДІЇ - Year 2017, Vol 1, Issue 1
Abstract
Current European integration course in Ukraine requires rethinking Ukrainian scientific and policies meaning of the cultural sphere as the set of cultural industries, which produce and distribute goods or services with special cultural value, irrespective of the commercial value they may have. According to the main UN Resolutions, UNESCO Conventions and legal activity of the European Commission since 90th of XX century cultural assets are considered to be - an instrument and resource of economic, cultural and social sustainable development of states, cities and regions. New conditions require scientific methods for modelling Ukrainian cultural industries, identification of the priority industries. Besides the concept of cultural industries European scientists and governmental officials, use the concept of creative industries, especially, for the policymaking. All that show the need for clarification of these concepts in Ukrainian scientific field and policies making practice for governmental purposes. The purpose of this article is to study the meaning of the concepts of cultural and creative industries according to the European scientific discourse and policies making documents in the EU and the UK. The article shows that modern European scientists do not use the tradition of critical interpretation of the cultural industry, which was offered by representatives of the Frankfurt School in the mid-twentieth century. Scientists improve concepts to identify the sphere of culture as an economic reality, which is reflected in the specific governmental documents of the UK, the EU and UNESCO for policies making to improve sustainable development. The models of cultural and creative industries offer a logic of distinction according to the basis of the value component: the output of the creative activity has utility that is more functional for the consumers; it could be a component of the production of other industries, not only cultural industries. Cultural output has cultural value. The purpose of the creative industries is to produce goods and services for the commercial trade. Cultural industries produce cultural content, which embodies or conveys cultural expressions.
Authors and Affiliations
Iryna Parkhomenko
Keywords
Related Articles
- EP ID EP543775
- DOI -
- Views 137
- Downloads 0
TO THE DEFINITION OF THE CONCEPT "CULTURAL INDUSTRY": DESCRIPTION OF SYMPTOMS AND ANALYSIS OF TRENDS
The article is devoted to the analysis of such extensively studied phenomenon of modernity as cultural industry, which includestwo opposite tendencies: the industrialization of cultural objects production and the "cultur...
MONOGRAPH REVIEW
Fesenko G. G. Morphology of urban landscapes: cultural-philosophical interpretations. – Kharkiv: Ltd. DISA PLUS, 2018. – 282 p.
MENTALITY AS A SUBJECT OF INTERDISCIPLINARY RESEARCH: DEFINITION ISSUE
Mentality as an essential mechanism of cultural and social processes, approaches to the definition of thisphenomenon are analyzed. The purpose of the article is the reconstruction of the history ofsocial and humanitarian...
BEING IN COUNTRYSIDE CULTURE AND ART: THE PERSPECTIVE OF LITHUANIAN PHILOSOPHY
The article analyses Lithuanian philosophy of Being in countryside culture and art. Lithuanian philosopher A. Šliogeris following Martin Heidegger is in ontological longing for grasping Being outside the city in a countr...
SOUND RECORDING TECHNOLOGIES INFLUENCE ON CREATION AND TRANSLATION OF MUSICAL PIECES
The article is devoted to the analysis of the influence of technology evolution on the process of producing and replicating works of art. There is a trans- formation of musical creativity, which occurs due to the opportu...