The Database as a Cultural Form. The Impact of New Media on Artistic Creations: The Relationship with the Cinema

Journal Title: In Medias Res - Year 2016, Vol 5, Issue 9

Abstract

Up until now, a great amount of thought about the cinema in the digital era has focused on the possibilities of an interactive narration in which the spectator actively participates in the narration. For this reason, I have researched the concept of aesthetics of the database and the novelty it may bring in other media. More and more, advanced technologies generate new artistic products and new forms of sensibility that develop in the artists in different ways: through the exploration of the possibility to create new meanings, and through the research of new “aesthetical-anthropological” behaviours that arise from the use of technological devices. At this point one may wonder about what happened to the art work in the age of its digitalization and about today’s conception of the term “beauty”. These questions arise also from the nowadays dominant principles of immediacy, hypermediation and remediation, according to which new technologies reinvent aesthetic categories from old media by reabsorbing their fundamental aspects. Here the novelty consists of interactivity, that is, the “interactive database”. Movies are now programmed in such a way that there is not a single version of them. All the elements, including the screen, the images and their combinations, the music, the narration and the duration, are subject to change every time the movie is played. It is the database cinema put into practice by its own creator (Manovich) with positive outcomes. In this way, the space on the screen is affected by the principles of aesthetic of remix and fluidity.

Authors and Affiliations

Fulvio Šuran

Keywords

Related Articles

The Real World around me – Life within the Pixel?

Modern era, the famous 21st century is full of options. Never more features and never greater alienation. Is it really so? While living in their standard-progress that, but when it towered over the black shadow, and when...

The Town as a Medium

By choosing a word of civilization for a complex, arranged, perfected, and socially accessible form of culture, humanity refers to the town as the fundamental medium of sociability. In the case of Sarajevo, the idea of i...

Cyber-Reality of New Generations and McDonalization of Society and Media

Beyond the Promised Land of computer screens, mobile phones, television and film screens that we, say apologists for mass media, destined, after the "perfection" of the current change is (not) unveiled the future of new...

Television and the Public Sphere: The Function of the Realistic Narrative in the Wire

The Wire is a television series produced by HBO between 2002 and 2008 and it is a result of research project realized by the former Bultimore Sun journalist David Simon. The authors use a consistent realist narrative to...

Effects of Media on the Spectators from Childhood to Adulthood

Media increasingly takes on the role of parents, educators, teachers and virtual characters are becoming idols. To understand how the media affects us, why we have certain emotional reactions and why we behave in a certa...

Download PDF file
  • EP ID EP466854
  • DOI -
  • Views 83
  • Downloads 0

How To Cite

Fulvio Šuran (2016). The Database as a Cultural Form. The Impact of New Media on Artistic Creations: The Relationship with the Cinema. In Medias Res, 5(9), 1339-1347. https://www.europub.co.uk/articles/-A-466854