The Work of Music as an Impression, Reflection, Relic and Echo of its External Reality. A Reconnaissance
Journal Title: Teoria Muzyki. Studia, Interpretacje, Dokumentacje - Year 2016, Vol 8, Issue 8
Abstract
The author considers the work of art in cotext of its external reality, distinguishing four kinds of works, based on the work's response to it: work as an impression, reflection, relic and echo.
Authors and Affiliations
Mieczysław Tomaszewski
Sztuka fotografii Mieczysława Karłowicza
The Central Mountain Library in Cracow has a collection of a uniform set of Tatra Mountain landscapes by Mieczysław Karłowicz, consisting of 91 glass plates and 129 positive prints, which constitutes an extensive and int...
Emblemat jako środek nowej retoryki muzycznej w oratorium "Das Unaufhörliche" (1931) Paula Hindemitha
Among the unforgettable works by Paul Hindemith (1895-1963) we can definitely name oratorio Das Unaufhörliche (1931). At the time it was met with vivid end extreme reactions by the audience and by the critics, for exampl...
Grieg a Karłowicz
At the end of the 19th century Warsaw was fascinated with the music of Edvard Grieg (1843-1907). The composer visited the Polish capital in 1902 and 1903, when he performed his music as a conductor and pianist with the o...
Jasność i ciemność, czyli tonacje krzyżykowe i bemolowe
Due to the intrinsic and inherent oppositions within the major-minor system, it is naturally binary and dialectic. One of those oppositions is that of directions, or tonal melos up/down of the circle of fifths, that is t...
„Pokolenie 33” na przełomie tysiącleci. Między sonoryzmem, nowym romantyzmem i postmodernizmem
“The generation of 33” in the Polish music of the turn of the two millennia was born as an artistic entity in the wake of the Polish October 1956. It is inseparable from the term “the Polish compositional school” and fro...