This essay analyzes the image of China in the work of the Portuguese
poet C. Pessanha. Not only it focuses on Pessanha’s place in the history of Portuguese
literature but also analyzes such comparativist aspect as the...
Rendering skaldic poetry into another language is a challenge for
translators. The main feature of this poetic system is its highly intricate form governed by rigid rules. Skaldic poetry emerged in Norway in the pre-wri...
For the first time, the paper discusses the drawings by Yesenin in his article “Mary’s
Keys” (1918) and on the margins of the autograph of the dramatic poem Pugachev
(1921) considering them as part of the commentary on...
Contemporary notion of style as a set of rules that allows the author choose and combine
the elements of content and form when producing a literary work (V.V. Vinogradov,
A.N. Sokolov et al.) was in many respects prefi...
This article explores why N. Nedobrovo mentioned Il Sodoma (Giovanni-Antonio
Bazzi) among the artists of da Vinci School in her poem that was of particular importance
to Anna Akhmatova. The referenced studies by Merezh...
PORTRAIT DE L’ARTISTE EN SINOLOGUE CAMILO PESSANHA (1867–1926) ET LA CHINE
This essay analyzes the image of China in the work of the Portuguese poet C. Pessanha. Not only it focuses on Pessanha’s place in the history of Portuguese literature but also analyzes such comparativist aspect as the...
A SELECTION OF SKALDIC POEMS
Rendering skaldic poetry into another language is a challenge for translators. The main feature of this poetic system is its highly intricate form governed by rigid rules. Skaldic poetry emerged in Norway in the pre-wri...
YESENIN’S DRAWINGS AS PART OF THE “REAL” COMMENTARY TO HIS WORKS
For the first time, the paper discusses the drawings by Yesenin in his article “Mary’s Keys” (1918) and on the margins of the autograph of the dramatic poem Pugachev (1921) considering them as part of the commentary on...
Stylistic Originality of Spenser’s Epithalamion and its Reflection in Russian and Chinese Translations
Contemporary notion of style as a set of rules that allows the author choose and combine the elements of content and form when producing a literary work (V.V. Vinogradov, A.N. Sokolov et al.) was in many respects prefi...
AKHMATOVA’S “LEONARDESCHI”: A COMMENTARY ON THE PICTORIAL REALITY
This article explores why N. Nedobrovo mentioned Il Sodoma (Giovanni-Antonio Bazzi) among the artists of da Vinci School in her poem that was of particular importance to Anna Akhmatova. The referenced studies by Merezh...