ЕКСПРЕСИВНІ МОЖЛИВОСТІ ФОРМАЛЬНО ІДЕНТИЧНИХ ВЛАСНИХ НАЗВ У ХУДОЖНЬОМУ МОВЛЕННІ
Journal Title: "Український смисл" - Year 2016, Vol 1, Issue 1
Abstract
The article examines the question of expressive potential of formally identical poetonyms in artistic speech. The material for theoretical generalizations served as the female onimikon of Taras Prokhasko’s postmodern novel «NeprOsti». In onomastic study of the works of contemporary authors still many blind spots, which determines the relevance of our work. The aim of this article is to study the role of formally identical poetonyms as components of artistic space. Defined aim involves the following tasks: a) identify semantic-stylistic features of functioning formally identical anthroponyms; b) detect the parameters of postmodernism based on investigated sector of onym writing. Revealed that semantic and stylistic role of naming the same name Anna several generations of women consist in more complicated structure and rhythm of work. By using joint poetonym the author has the option according to requirements combine or differentiate images of women. Is proved that on the basis of poetonyms implemented postmodernism parameters such as an existential fear of loneliness and a tendency to shocking. Introduction to the text formally identical names can be characterized as a gaming method, reference to which is fundamental for the studied style. These results of research confirm the need for a detailed review of other segments onym space novel «NeprOsti» and the analysis of proper names of all postmodern works.
Authors and Affiliations
Марія Доценко
Keywords
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