MEMORY AND FORGETFULNESS IN KAZUO ISHIGURO’S NOVEL THE BURIED GIANT
Journal Title: ІНОЗЕМНА ФІЛОЛОГІЯ - Year 2018, Vol 131, Issue
Abstract
The article is devoted to the analysis of Kazuo Ishiguro’s novel The Buried Giant (2015 р.). The topic of memory is the central one for the work. It is pointed out that the author of the book concentrates his attention on the nature of memory, its role in the lives of ordinary people and of the whole society. The trip to the nearby village started by the main characters of the book turned out to be a quest in search of their own lost past, memory and identities. At the same time, this is a quest towards Great Britain’s past with all its victories and tragedies. The novel is based upon the real historical events, which infl uenced the formation of the cultural myths important for British national identity. The most salient ones are the myth about King Arthur and his knights, the myth about the dragon and the knight, the myth about wizard Merlin and about Sir Gawain. The novel is full of intertextual connections with infl uential texts of English literature (such as La Morte de Arthur, Sir Gawain and the Green Knight or Beowulf), with Celtic and Roman mythology (Charon). The research has shown that using multiple metaphors and symbols the author offers an unusual approach to the identifi cation constructs used for the formation of memory, both collective and individual. The most important symbols are the she-dragon, the mist of forgetfulness, the chosen child, the monks touched by ravens, the women in black rags, water in all its manifestations (river, stream, sea, rain, fog, mist), boatmen and so on. The story is narrated from different points of view to stress the author’s position toward the way any cultural memory is shaped. Still, not all main characters get an opportunity to present their point of view. Therefore, it proves that the same is true about cultural memory, which in fact keeps only the position of the majority. The memory of the minority may be quite different. Besides that, a lot of attention is given to the role of trauma in the process of memory formation. Moreover, the article emphasizes that the mechanisms of forgetting are of equal importance for the memory from the position of the author because the ability to forgive is crucial for the future of the nation and of ordinary people. Though at the beginning all the characters are appalled because of the fact that they were forced to forget their past, at the end of the story some of them come to understanding that to forgive means to forget.
Authors and Affiliations
Hanna Kolesnyk
RELIGIOUS TRANSLATION AS A PARTIAL TRANSLATION THEORY
The origins of religious translation go back to ancient times, though the theoretical consideration of its phenomena is much younger. Translation theorists have suggested a number of terms for naming this translation typ...
CATEGORIES OF SENSE AND MEANING IN PSYCHOLOGICAL DISCOURSE
The article deals with the fundamental logical-semantic categories of meaning and sense. The main subject to handle is the complexity of meaning and sense of psychological terms used in psychological discourse. Proceedin...
HOR KOSTETSKYI’S TRANSLATIONS OF WILLIAM SHAKESPEARE’S PLAYS “ROMEO AND JULIET” AND “HAMLET” AS A MEANS OF UKRAINIAN LITERATURE MODERNIZATION
The article researches the key features of Ihor Kostetskyi’s translations of William Shakespeare’s plays Romeo and Juliet and Hamlet considered through the prism of the translator’s undertaken mission of Ukrainian cultur...
AN EXPLORATORY GLIMPSE INTO THE ARCHIVAL MATERIALS OF MYKOLA LUKASH
The paper sheds light on the archive of Mykola Lukash, a notable translator, lexicographer and linguist. The bulk of his archival materials are housed in the National Museum of Literature of Ukraine. They comprise Lukash...
FACTORS OF PHRASEOLOGICAL DIVERGENCE IN GERMAN VARIANTOLOGY
A study of the peculiarities of the national varieties of German within the variational framework of heterogeneous literary languages and insights into the accepted standards divergence in the idiomatic systems of three...