New data about the Series of Angels of the monastery of San José y San Roque of Aguilar de la Frontera (Córdoba)
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2019, Vol 8, Issue 5
Abstract
Access to new texts and images and the recent recovery of apocryphal names labelled on the "Aguilar de la Frontera" series of paintings (Cordova), prove the series donor was Jose Fernandez de Toro instead of Pedro de Toro y Sotomayor, as was said some time ago. Furethermore, the hypothesis that this series belong to the trilogy of apocryphal angels is confirmed. The article analyzes the personality of the series donor. Also, the spanish origing, the meaning and the relation of the apocryphal angels with the american viceroyalities is ratified.
Authors and Affiliations
Mario Ávila Vivar
Keywords
Related Articles
- EP ID EP704542
- DOI https://doi.org/10.21071/ucoarte.v8i.12521
- Views 92
- Downloads 0
The role of an art historian in cultural heritage intervention
Text of the conference given at the master's degree in Art History at the University of Cordoba on 20 October 2011.
The subversion of literary adaptation in Tristana and that dark object of desire by Luis Buñuel
Tristana and That Obscure Object of Desire are the last literary adaptations by Luis Buñuel. Even if the director takes the liberty of making various changes –cuts, synthesis, additions– in the adaptation process, to cre...
Sor Ana de la Cruz Ribera (1606-1650) and the families father Chapel in Montilla Santa Clara Convent
The bond established between the marquisate of Priego and the convent of Saint Clara of Montilla is reflected, among other facets, in the relevance that acquired some of their nuns, who belonged or were close to this nob...
The Fortunato Depero's advertising pavillions
The Fortunato Depero advertising pavilions were a synthesis of two research lines on Italian futurism. The first, referring to architecture, was based on the heritage of the “Manifesto dell'Architettura Futurista” (1914)...
Iconography and symbology in the Camarin of our Lady of the Rosary of Granada
The Camarín of Our Lady of the Rosary (1727-1773), which is considered the most outstanding work of its kind of the Spanish Baroque, was conceived from its origins for a symbolic purpose: that of being a small celestial...