The role of an art historian in cultural heritage intervention
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2012, Vol 1, Issue 4
Abstract
Text of the conference given at the master's degree in Art History at the University of Cordoba on 20 October 2011.
Authors and Affiliations
Gonzalo M. Borrás Gualis
Miguel Verdiguier and Jesus Nazarene of Luques Hospital Chapel altarpiece, Córdoba. Comments for it's history
From the abundant list of active foreigners artists in Spain between mid eighteen century and the first decades of nineteen century excels, in the field of Western Andalusia, the French Miguel Verdiguier (1706-1796), scu...
The Society of Jesus in Seville: The College English of San Gregorio Magno
The English College of St. Gregory the Great was one of the seven centers belonging to the Society of Jesus that existed in Seville. It was funded in 1592 as a seminary for training priests who later would develop a miss...
The subversion of literary adaptation in Tristana and that dark object of desire by Luis Buñuel
Tristana and That Obscure Object of Desire are the last literary adaptations by Luis Buñuel. Even if the director takes the liberty of making various changes –cuts, synthesis, additions– in the adaptation process, to cre...
From Nencatacoa to San Lucas: Muisca cotton blankets as a pictorial medium in the New Kingdom of Granada
Since pre-Hispanic times, Muisca Indians (Altiplano Cundiboyacense, Colombia) knitted cotton cloths, their production continued during viceregal period and became support to easel painting. This paper analyses the contin...
Celebrations and funerals in the Cathedral of Seville (1685-1701)
After the death of archbishop don Ambrogio Spinola Guzman in 1684, succeeded him in Seville mitra Don Jaime Palafox and Cardona, in Palermo until that moment. During his rule, the prelate presided over important ceremoni...