STRUCTURAL MODEL OF THE NATURAL CODE OF CULTURE (ON THE MATERIAL OF THE PHRASEOLOGICAL UNITS OF UKRAINIAN WOMEV’S PROSE OF THE XXI CENTURY)
Journal Title: Вісник Одеського національного університету. Філологія: літературознавство, мовознавство - Year 2018, Vol 23, Issue 2
Abstract
The article attempts to outline the reorientation of modern linguistic research by analyzing the process of changing scientific paradigms. It is argued that the paradigm of linguistics of the 21 century acquired anthropocentric orientation, and language is studied as a representative form of human consciousness and a product of the creativity of the linguistic personality. It was emphasized that in the field of humanitarian disciplines the expression of anthropocentric orientation was the intensification of cultural research, that is, the emergence of a cultural phenomenon that contains all the diversity of human activity and the realization of this activity in the language. It is emphasized that linguoculture is one of the most promising linguistic disciplines that investigate the connection between language and culture. It is noted that activation in the 21 century of linguistic and cultural issues contributed to the actualization of the use of the notion of «code of culture», which is relevant reproduction of linguoculture, due to the phraseological resources of the language. It was emphasized that the identification of culturally flagged signals in phraseological units as collapsed microtext, which preserves cultural information, and whose components and images are permeated with cultural codes, helps to understand the mechanisms of combination in the phraseological mark of linguistic and cultural semantics. Note that the code of culture embodies the correspondence between the content plan and the plan of expression of the sign, specifies the significance of the sign, and the interpreter reveals this significance, decrypts, that is, understands the sign. On this basis, the structure of the natural code of culture, phraseologically interpreted in the Ukrainian female prose of the beginning of the 21century, is explored. Within the phraseological translation of the natural code of culture on the material of Ukrainian female prose at the beginning of the 21 century, the following subcodes of culture were selected and investigated: natural-spontaneous – a collection of elements of elements; natural-landscape – a collection of names of natural objects that surround a person, and those of which it is mastered in a separate existence; subcode of culture of phenomena of nature – a set of names of natural phenomena and their manifestations; natural-substance subcode of culture – a set of names and their combinations, denoting natural objects, including those acquired by man in their separate existence; space subcodes of culture – a set of nominatives for the designation of space objects.
Authors and Affiliations
V. V. Badyul
Keywords
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