The philosohpical understanding of noise in culture
Journal Title: Актуальні питання гуманітарних наук: Міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету - Year 2016, Vol 15, Issue
Abstract
This article is an attempt to propose a philosophical reÀ ection of noise as a special phenomenon of culture. The noise as a constructive and destructive factor determines the nature of the culture in the twentieth century. The development of the avant-garde provided a rethinking of traditional culture from the standpoint of noise, where the classic order of things has been constructed by the artists, writers, and philosophers. As a result, the modern culture has absorbed noise experiments into its essential semantic ¿ eld, creating conditions for the development of a number of phenomena, including performance, deconstruction, abstract expressionism, and neo-avant-garde. The structural and functional approach consideres noise as an oppositional aesthetic category to the order, silence and cultural meaning. In this case, noise is a complex cultural phenomenon that can be interpreted as «the repressed experience of culture. At the same time, the anthropological approach diagnosis certain effects of noise in human perception of the world, and also a signi¿ cant transformation in the postmodern consciousness as well.
Authors and Affiliations
Maksym KARPOVETS
Keywords
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